Manual La escritura en el taller (Historia Y Literatura - La Sombra De La Palabra) (Spanish Edition)

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    What is your opinion of the creation of an institution such as the El Arca Puppet Theater-Museum and the work being done here? I was struck by the fact that in Cuba there are some things that in other parts of the world are not possible to find at present. When I started to do theater, in the decade of the 60s, companies could be created. In the Europe of those years there was a tremendous amount of creativity, thanks to the independent groups that erected the young, conformed by theatrical artists, painters, musicians….

    Andrés Neuman - Taller de Escritura Creativa de Israel Pintor

    I myself had an independent company that responded to this precisely. In Teatre de la Claca we were a collective. It is now impossible to achieve work in this way. Most of the young people are with their problems and because of economic difficulties, even legal difficulties, they can not consider creating a group. At this time it is impossible to do this. Instead, it turns out that in Cuba it can be done. This institution seems to me a wonderful example that one can still aspire to the dream of having an institution where the museum, historical, creative and professional aspect is integrated into a single company, that there may be a public, familiar in this case, that is acquiring a teatrical culture.

    Of course, that is a dream that does not exist in other parts of the world, nobody can do it. I was recently in Korea and Estonia and globalization there makes everyone manage as best they can. As each has its own difficulties, people find themselves in small projects that last for a while and then disappear. And all the collective work and creating a culture of its own and working on an audience has gone down in history.